Immortal Clickstream

In this project, Chris uses his browser history as source material for a series of mixed media works exploring meaning and identity. Embracing his individual ‘algorithm’, images from his internet searches are archived, collated, then re-interpreted into juxtaposed elements forming non-linear relationships. Numerous digital and hand-rendered layers reveal a swirl of cultural, historical, and philosophical references and complexities of subjectivity in a world overflowing with data and indiscriminate visual noise.

A contradiction between the contemplative and the embarrassingly flippant becomes apparent. How, for instance, does one stray from heartfelt research on brain cancer – to what’s the best beach in Torquay – or moments later – where to buy new runners? In tackling such awkward anomalies, Immortal Clickstream evokes a sense of uncertainty – yet exuberance – in the face of a fragmented world and self.

The series was exhibited at the RMIT Gossard Space, with artist notes and sketches attached to the rear of each piece, and an accompanying installation re-emphasising themes of entanglement and connection.

I Am Scared. 2021. Mixed media and collage on digital print. 50 x 100 cm.

Yvery Day I Get the Blues. 2021. Mixed media on digital print. 50 x 100 cm.

Road to Either Or. 2021. Mixed media and collage on digital print. 100 x 100 cm.

Orange-Bellied Google Parrot. 2022. Mixed media and collage on paper. 50 x 100 cm.

Mood Indigo. 2022. Mixed media, collage, and acetone transfer on paper. 50 x 100 cm.

Last Summer. 2022. Mixed media and collage on digital print. 100 x 100 cm.

Human Cannonball. 2022. Mixed media on digital print. 100 x 100 cm.

The work installed in the RMIT Gossard Space.

Next
Next

Round and Round